Sven Rothenberger joins J.J. Tate and talented gelding, Denali. The pair are schooling Prix St Georges movements. Denali is swinging out behind in his volte. They work on keeping the hind legs in the track of the front legs, having more flexion and controlling the haunches. Working at the canter ...

Sven Rothenberger shares his expertise with J.J. Tate riding the Oldenburg gelding Romeo. He advises J.J to be more conscious of riding Romeo over the back to compensate for his conformation. She also needs to maintain control with the outside rein through the outside leg in canter. Sven also has...

Sven Rothenberger continues the work with J.J. Tate and the Oldenburg gelding Romeo. Sven is pleased with Romeo's canter improvement. They continue to work on coming from behind and giving the rein to check Romeo is in self-carriage. Sven advises J.J. to not throw the rein away before a change. H...

Sven Rothenberger coaches Endel Ots and Lion King. The horse needs to feel confident about himself, so Sven advises Endel to relax and encourage him: Slow him with the seat, not the reins. Don't accept shortcuts from the horse, and sit big in the saddle. Lion King has a beautiful uphill canter. ...

Olympic medalist Sven Rothenberger continues his work with Endel Ots and the Dutch gelding Lion King. Praising the horse and offering a short moment of relaxation helps avoid tension. Sven wants Endel to make clear transitions between medium and collected gaits. It's important to warm Lion King u...

Geoff Teall finishes this group’s lesson with an exercise on looking around the circle on a jump and looking ahead to the next line. The purpose is to stay balanced and go with the horse while keeping the turns smooth and relaxed.

The horses are having a harder time stopping after a line of two jumps so Geoff Teall suggests an exercise to work on that. The more the riders slow down going into the line, the better chance they have of stopping after the line. Repetition also helps to steady the horses.

Geoff Teall sets a course for the clinic riders and wants them to make the decisions of where and when they need to stop to bring their horses back. The pace should be forward but steady and the lines should stay straight, but the choice as to what to do will come after the jump. He stresses abou...

German Olympic eventer Bettina Hoy shares a dressage lesson in which she works with a rider to improve balance and engagement with her mare. They use test movements such as leg-yield, shoulder-in, renvers and half-pass as well as counter-canter and canter–walk transitions.

Tanya Rennie and Faldo return to continue riding with Sabine Schut-Kery. At the canter and in pirouettes, Tanya uses a little more inner leg to control the shoulder and keep Faldo's inside leg under his body. She works to keep the horse under her but forward—more jumping through in the flying cha...

German Olympic eventer Bettina Hoy shares a dressage lesson in which she works with a rider to improve balance and engagement with her mare. In leg-yield, the mare needs to push under more and not lean on the left rein. In half-pass right, Bettina offers encouragement to help the mare unlock resi...

Tanya Rennie and Faldo work with Olympian Sabine Schut-Kery. By finding the horse through the leg aids and using shoulder-fore, Tanya can play with the energy and get Faldo to be less flat. In the half steps, Sabine notes Faldo needs to be more attentive. By sitting up, supporting him and using t...

Olympic medalist Sven Rothenberger coaches Molly O'Brien and impeccable stallion Fortunato H2O. Sven focuses on the overall impression. Molly must keep Fortunato engaged, active, and out from behind the vertical. Hind legs drive from behind, pushing the front legs forward. With more activity, For...

Molly O'Brien and Fortunato H2O return to work with Olympic medalist Sven Rothenberger. Sven explains that Fortunato has star quality but they need to revisit basics—contact, seat and leg position, and balance. Working on letting the horse be longer, Sven coaches Molly on straightness and contact...

Geoff Teall talks about the importance of a straight line from the clinic riders’ hands to the horses’ mouths. The purpose of this is to establish a nice contact with the horse’s mouth. This can also help improve the horse’s suppleness. While the position change may be minimal, the result is sign...

Geoff Teall has the clinic horses start in a posting trot, which he says is a good gait to get a read on how the horses feel that day. The horses have to be willing to carry the riders in a relaxed, forward manner. Both horses and riders need to be comfortable working at the pace needed to jump s...

Caroline Pamukcu’s head rider Lee Maher rides a last school before a spring horse trial on a horse competing at Modified the next weekend. They work on raised cavalletti, a vertical followed by lead changes, an oxer at different distances and a line with an in-and-out.

Caroline Pamukcu’s head rider Lee Maher prepares a horse in a last show-jumping school before competing at Modified in a spring horse trial the next weekend. In the warm-up, Maher and the horse begin trotting over a slightly raised cavalletti both at the trot and the canter. Moving to a vertical,...

On Day 2, Sabine Schut-Kery works with Marjolein Geven and her horse Sir Frederico. The horse looks lighter in the tempis and stays in front of the leg. Marjolein can make better corrections as the horse is more through so her aids become clear. Sabine uses collection and forward movement to keep...

Caroline Pamukcu’s head rider Lee Maher schools a horse in a last dressage school before competing at Novice in a spring horse trial the next weekend. He begins by making sure the horse is going forward, and in the walk, he checks in to see how the horse is responding. They start in the trot with...

Caroline Pamukcu’s head rider Lee Maher schools a horse in a last dressage school before competing at Novice in a spring horse trial the next weekend. He focuses on maintaining the same rhythm in the trot and canter work. He and the horse work on transitions— trot–walk–trot, within the canter and...

Sabine Schut-Kery works with accomplished medalist and freestyle rider Marjolein Geven and her horse Sir Frederico. Marjolein must be proactive and conscious of her aids to ensure she's not supporting Sir Frederico too much. The horse needs to push, come into the contact and not suck back. Combin...

Sven Rothenberger works with accomplished rider and coach Kristin Stein and her Dutch gelding Karamba. Sven emphasizes the importance of the rider intending for the horse to have soft contact and stay in self-carriage while trying to avoid getting behind the vertical. This can be achieved by work...

Because the clinic horses were getting too strong, Geoff Teall changed his original plan and had the riders work their horses over ground rails. Walking and trotting over poles helps settle the horses and make it easier to bring them back quietly.